Life on the road with All Time Low.

And we’re back. The final shows of the AP Tour. Everything is coming to an end…

So, how have some of the past shows been? Some great and some OK.

Sat/4-19 Ft. Lauderdale, FL Revolution - SOLD OUT

This was a cool place. Sadly, we were treated like crap all day by the crew. It seemed like everyone was in a bad mood that day. Anytime someone would ask a question, they would basically yell at us for asking a question. It took them 30 minutes to patch in my split snake for monitor world. The whole time I was listening to them say “this is a stupid idea, this is such a pain, you guys need to get your act together” and blah blah blah. If you cant deal with a simple monitor split, then you shouldnt be in this business IMO.

But, come show time everything went pretty smoothly. I had 6 Turbosound Floodlights per side and 8 21″ subs to fill out the low end. I was hitting the subs pretty hard all night, but the rest of the rig was just sailing along.

Sun/4-20 St. Petersburg, FL Jannus Landing- SOLD OUT

Another cool show. It was our second outdoor show of the tour. I had 4 EAW KF850’s per side and 12 EAW SB850’s for PA. It did a surprisingly good job for the crowd. We had over 1300 kids there, and they were really into it. I had a great time. Everything went very smoothly.

Tue/4-22 Little Rock, AR Juanitas - SOLD OUT

Ah, the smallest show of the whole tour. A whopping 374 people packed into a little room. We tried so hard to make this an acoustic show, but in the end, everyone ended up playing full band. We somehow packed 5 bands worth of stuff onto a stage smaller then anything else on this tour.

The PA itself was pretty decent for the room, but nothing to brag about. EV MTL2’s, and matching mains. It got loud enough, but because of the small room, Rian’s cymbals were just killer. Thats the only thing that sucks about playing small rooms with a loud drummer. The cymbals just get so loud, and it becomes white noise…

Otherwise it was a pretty decent show. Better then I expected!

Fri/4-25 Milwaukee, WI The Rave - SOLD OUT

Welcome to the haunted mansion of this tour. My camera was dead for this show, but I wish I had it. The vibe walking into this place was pretty creepy. The room had a single light in the middle of the room that cast an erie, orange glow over the whole room. There was one window all the way up at the top of the room that cast a single ray of light into the room. The room was very cold, and all concrete.

Downstairs was the showers. To get to them, you had to walk through a long, dark hallway. There were a few dim lights lighting the path. Upstairs was a massive ballroom. It was almost pitch black, except for a few lights casting weird shadows in the room. You could hear it creaking as you walked around. I had to leave pretty quickly. In the basement is an empty swimming pool. People say ghosts live down there.

Everyone has stories about how the place is haunted. The stories are easy to believe, just because of the vibe of the place.

But, in the end, it ended up being one of the best shows of the tour. I had 4 EAW KF850’s(everyone loves these boxes) flown per side and 8 EAW SB1000z’s. The rig slammed. I had a crufty old Yamaha PM4K @ FOH though. There were a few scratchy pots and faders, otherwise it was pretty solid. I wasnt prepared for the crowd though… I always try to start off the set a little on the quiet side, but that wasnt happening. The crowd was completely over powering the band during the first few songs. The PA was hitting 106dBA, but the crowd was easily over 110dBA. I ended up running with the crowd and keeping it around 110dB at front of house. It was one of the loudest shows of the tour. The crowd was awesome though…

Sat/4-26 Columbus, OH Newport Music Hall - SOLD OUT

This was another good show, however: If you think putting 6 60x40 JBL cabs per side is a good idea, then you shouldnt be in this business.

Caution: Sound Nerd Talk: Wow, what a mess for a PA… I forget the model PA, but it was JBL’s venue series speakers. 6 boxes per side, stacked 3x2. No splay, no EQ, no nothing. As I walked across the floor, I could hear all the comb filtering going on between the speakers. It was a mess. It sounded entirely different in each spot of the room. At Front of House, I could move my head around from side to side and hear all the different horn patterns combining right at my location. It was pretty bad. I wish I would have gotten pictures of the stacks. Sure it got loud, but man, it didnt sound good at all.

Tue/4-29 New Haven, CT Toad’s Place - SOLD OUT

We went back in time visiting this venue. I had a mono PA cluster in the middle of the room. Wow. Mono? Yes, I said mono! If you’ve ever been to this venue, you also know how small it is. The capacity is 750. However, we managed to fit 1004 kids in this place… It was hot, sweaty and crowded. You couldnt move at all if you were buried in the crowd.

Poor kids:

Now, if you think this was just going to be another smooth show, you are completely wrong. Just about everything that could go wrong did. It all started in Jasey Ray. About 30 seconds into the song, the right side of the stage lost power. No, we didnt blow any breakers, Alex Greico, our wonderfuly clumsy drum tech pulled power out of the wall when he was wondering around behind the cabs. Luckily we got things back up and running pretty quick. But, it didnt stop there. Next up, the other side of the stage lost power! One of the fans on stage managed to pull the power cord out of the wall on the other side of the stage! It took Matt a little while to figure this one out. Alex ended up singing the rest of the song alone, and it turned out pretty cool.

But wait, theres more still! All of the power amps for the PA were located at Front of House. Directly under the mixer, and right in front of my knee. Yup, you guessed it. I turned off about 4 different amps throughout the set… I kept kneeing the amps and hitting the power switch. That sucked…

Otherwise, the show went pretty smoothly…

Thu/5-01 Pittsburgh, PA Diesel - SOLD OUT

Night clubs gone rock. Not exactly what you’d expect, right? This room was clearly a night club with a stage tossed up at one of the room. It was a very small room, with 2 levels. Upstairs was only 21+, while downstairs was all ages. Well, seeing that 99.995% of ATL’s fans are under 21, the downstairs was PACKED. Meanwhile, we had about 100 moms and dads watching upstairs. Now, it would have been great if I was downstairs with all the kids, but NO! I was crammed upstairs at the ledge of the balcony. And the best part is, I couldnt even hear the PA downstairs. Now, a smart club would put the same model fills upstairs to cover the top. But again, no, my life cant be easy… EAW KF650z’s downstairs, and EAW LA460’s upstairs… They sounded completely different… Now wait, to top it off, the downstairs was sooo packed, that I couldnt even get down there to listen. Right at the bottom of the steps was a wall of kids. So, I was stuck upstairs all night guessing what it sounded like down there… Not a fun night at all.

Fri/5-02 Cleveland, OH House Of Blues - SOLD OUT

This is the final show of the AP Tour. I’ll tell you about it next time…

Back to the world of Rock and Roll…

Ah, the joys of sitting around all day doing nothing. We have been busting our butts for the past week, and its nice to relax. Today was supposed to be a tech day of fixing things, but thanks to the weather, we are stuck inside all day while it pours outside… I guess Ill be running around before the show tomorrow trying to do everything…

Since we were stuck inside, it was a good day to clean the bus, so thats exactly what we did:

Oh, and we’d like to welcome another fish to the family:

We call him the Professor. You can also see the other 2 original fish in the background as well. All of them are alive and well…

Well, back to my day off. Another, more detailed update will be coming soon. Hang tight!

I have determined that the “door close” button on elevators does absolutely nothing. If I do nothing, it takes the door 15 seconds to close. If I press the button a few times, it takes 15 seconds for the door to close. If I press and hold the button, it takes 15 seconds for the door to close. I believe these are just there to entertain people and trick them into thinking that they are getting things done quicker. But, elevator gods beware, as I am onto your dirty little tricks!

But anyway, onto the shows!

Tue/4-08 Worcester, MA Palladium - SOLD OUT

This was by far the largest room of the whole tour. With a balcony that goes on as far as you can see and a multilevel floor, it was sure to be a pretty rocking show. The “house” PA system consisted of 8 EAW KF750’s and 5 EAW SB1000z’s per side. Im normally not a big fan of KF750’s, but these sounded fairly decent. The company that owns the boxes basically came up with all their own DSP settings to get rid of that nasty horn honk that the boxes are famous for. And they did a good job. I was able to hit around 108dBA @ FOH before they started breaking up. Sadly, because of the room size, and the crowd volume I was hovering around 108-112dBA @ FOH during ATL’s set… This was one of the loudest rooms too. The architecture in the room was pretty stunning too. This is a very old theatre, and it shows it’s age. The only downside to a room of this size and age, is that the sound sucks. Once the room filled up, it sounded great on the floor. But, upstairs was another story. There was a solid 3 second reverb upstairs that would not go away. Even with a full house, upstairs was very “live.”

But, overall it was a pretty killer show.

Crowd shot one:

Crowd shot 2:

Band shot:

Wed/4-09 Washington, DC 9:30 Club - SOLD OUT

Home sweet home. One of my personal favorite gigs. Basically everyone I knew from home came to this show. It was a great night.

Caution: Sound nerd stuff:
EAW SB1000z’s at 8 ohms a driver rock. When you can deliver a clean 2,000 watts to each driver, you get some serious bass. Combine that with 6 EAW KF850z’s(4 flown, 2 on the ground) and it makes a killer rig. Not only was it loud, but it was clean. The bass was so strong, that at FOH the hair inside of my ears was tingling. It was around 120dbC @ FOH, but only 108dBA. Now thats what Im talking about.

/sound nerd.

I think the best part of this gig was that I got to go home after it. It was so nice to spend the night with Roxanne and my family. I got to go home, see my puppies and my parents. That alone made me very happy. You also never realize how much you miss your own bed until you sleep in it for the first time in 5 weeks.

And how about a pic of someone else for a change:

Fri/4-11 New York, NY The Fillmore, Irving Plaza - SOLD OUT

Rough show for me… We werent allowed to make noise until 5pm. So, basically our day consisted of this phrase: Hurry up and wait. Our sound check ended up being rushed, and I was not happy with my mix at all. Everyone said it sounded great, but I guess Im my own worst critic.

Oh, and ATL had a friend come out and do lights for the show. He rocked.

But, for some reason, this is the only picture I have from the show:

Sat/4-12 Lancaster, PA The Chameleon - SOLD OUT

Another good show. My parents came out to this one. It was nice to spend the day with them. We went out to lunch(great pizza place), and spent some of the day together. I also got to see Roxanne again, which was quite nice. It’s always nice to have your loved ones come out and see what you do.

The actual show went pretty well. This was a smaller club and a smaller stage. The club itself was 3 stories tall. Pretty cool if you ask me. There was no where near enough PA for the place though. I was into the limiters all night trying to get loud enough.

Oh, how about a glamor shot of me for once:

Sun/4-13 Norfolk, VA NorVa

If you havent been to this venue, I highly suggest stopping by sometime. It is a dream venue for artists. Not only is there a full dressing room, but it also features 7 shower stalls, a hot tub, full sized game room, basketball court and more. The whole second floor was basically ours. I felt like I was staying in an apartment for the show.

Have a look:

Catering:

Game Room:

Hot tub:

And the fun doesnt stop here… The venue itself was packed with all of my favorite gear.

Yamaha M7CL @ FOH:

and

L Acoustic V dosc:

Such a great combination. The only thing that bummed me out was the lack of subs. They only had 2 v dosc subs per side, and it was not enough to keep up with the mains. Everything else was great. I love how those boxes sound. And the M7 is a great touch too. Compressors and gates everywhere rock. Speaking of comps, I tried something new sine I had some many comps. I usually dont do much with the over head mics on the drums, but I decided to have some fun at this show. I went ahead and threw a comp on the overheads. I used a slow attack and a very fast release. So, basically when he is riding on the ride cymbal the comp is not affected, but when he hits the cymbals harder, the comp bring the volume back down and smooths out the overall cymbal wash. The result was less fader riding and a smoother transition from ride to crash. I may use this technique more often at future shows…

Mon/4-14 DAY OFF

Normally a day off for us consists of sitting in the bus/hotel relaxing and just taking it easy. But, today a good friend of the band hooked us up. They took us out to the Melting Pot for dinner in style:

If you’ve never been to the Melting Pot, it’s basically a fondue place where you cook everything yourself. It was actually very good.

Left overs anyone:

It was a great day for us. A free meal, and a sweet ride. As our merch guy says, “Enjoy the fruits.” We certainly did…

Tue/4-15 Charlotte, NC Tremont Music Hall - SOLD OUT

Ladies and gentlemen, welcome to 1980:

To sum it up, it sounded as good as it looks.

Thu/4-17 Atlanta, GA Masquerade - TICKETS

This was a fun, hot, crappy show. I had a pile(literally) of speakers to work with. Everything was underpowered and basically needed to be burned. The rig was no where near enough for the 1100 kids that packed into the place. It was a fight all night to get a good mix and not be slamming into the limiters. To top it off, it was around 90 degrees inside. I dont know how they do it, but I was sweating my butt off just mixing.

The only upside of the day was that I got to meet 2 of my good friends. One of which taught me just about everything I know in this business.

Fri/4-18 Lake Buena Vista, FL House Of Blues - TICKETS

Another big show. Right in the heart of Disney. 2100 kids packed into this place. I have decided that house of blues just plain sound good. The PA was a bit small for the place, but it still rocked. 2 EAW KF850’s and 1 KF650 per side covered the room pretty well. Subbage was weak though. 4 of the 8 subs were blown up, so I didnt have much to work with. All in all, good show though. I just love working gigs at the House of Blues.

Sat/4-19 Ft. Lauderdale, FL Revolution - SOLD OUT

Ill tell you about this one next time….

And thats it for this time. Its hard to believe that this tour is almost over. It seems like it just started and now it’s almost over. You know what they say… Time flies when you’re having fun…

Back to the world of rock and roll

And the moment you’ve all been waiting for, the speical, behind the scenes edition. Today will be part one of the special. Ill be covering the different mics that I use and how I position them on the drums.

First up, the drums:

From far away it doesnt look like much, but lets take a closer look.

First up, the kick:

Pretty simple here. I just use a Shure SM91 sitting on a pillow inside the drum. It gives me the sound I want and keeps the front of the drum looking clean. I started the tour using an Audix D6 with the 91, but later ditched the D6 for just the SM91. The SM91 gets the job done just fine by itself and saves me a channel on the console.

Next up is snare. On top I have a Shure Beta 57:

It’s 2″ above the rim and pointed at the center of the drum. This avoids picking up the ring of the drum and gives me a nice tone from the drum. I only compress top snare, never gate it.

But wait, theres more:

Ive also got a Shure SM57 on a D-claw for bottom snare. This is what gives me the snap of the snare. Its about 2″ from the bottom head and normally right below the snares(someone turned the snare before I took the pic…) The combination of the 2 mics gives me a great tone needing almost no EQ all of the time.

Next up on drums is the hi hat. I forgot to get a picture of it, but all I do is take a Shure SM81 4″ above the hat pointed 3″ in on the hat. Sounds great.

Next is the rack tom:

I use an Audix D2 pointed toward the center. It sounds good on its own and requires no gating and little EQ.

Finally on drums, the floor tom:

I love a huge floor tom sound, so this is when the Audix D6 comes into play. It sounds massive on its own and only requires a little EQ to sound good. But, you have to gate this beast or it will get out of control. I have perfected a position that gives me a deep solid tone. The mic is almost parallel to the head and only a quarter of an inch from the head. It creates a winning sound that you have to hear to believe.

And that wraps it up for today’s edition. Next time will be the rest of the band, and some other goodies.

Back to the world of Rock and Roll…

Basically, to sum up the first week of April:

A whole lot of nothing…

Im not going to cover each gig, as some of them were pretty uneventful. Ill just highlight the better gigs.

Sat/3-29 Seattle, WA El Corazon - SOLD OUT

This was a rather small club. How they managed to pack 750 kids into this room, I still dont know… It was a pretty cool show. A ton of kids in a small room and lots of crowd interaction. Pretty easy show.

Tue/4-01 Denver, CO Boulder Theatre - SOLD OUT

What a day for this show… This was the show that almost didnt happen. We had to get from UT to CO, and the only way to do it was to take I-80. However, a bad snowstorm had just passed through and the highway was completely shut down. Road damage, stranded cars, car crashes and a lot of snow. We drove as far as we could on 80 and then played the waiting game. All of the buses lined up at a truck stop 30 miles from where it was closed and we hoped for the best. At 4am, we were still waiting, so I went to bed. The next day I wake up and we are driving. Im thinking to myself, “It’s 1pm, we should be loading in right now.” I ask Matt whats going on, only to find that we are still 4 hours from the venue. Oh crap. Is the show going to happen, or are we not going to make it? 4pm approaches and traffic stops. Theres a 4 car crash and the highway is closed. We are quick to take an exit and get a detour. Ok, it’s getting down to the wire now. 6pm doors, and its already 5pm. We finally arrive to the venue at 5:30pm, only to find out that The Rocket Summer is still 40min away. We get doors pushed back and hope for the best. I also find out that Forever the Sickest kids never made it to the venue. They got stuck in the snow and couldnt make it. So, 4 bands instead of 5. No sound check.

The gig ended up being pretty fun! The PA system was all ohmbru boxes and ended up sounds good. A lot of midrange, but nothing a little EQ couldnt fix. The subs were slamming, and the crowd was loving it. For a show that almost didnt happen, it ended up working out pretty well.

Thu/4-03 Chicago, IL House Of Blues - SOLD OUT

I love the House of Blues. This was a really cool room. We had to drive underground to load in. And then it was up a freight elevator to the stage. The room itself was 3 levels tall, and the architecture was pretty amazing. Everything sounded great, and it was another successful night.

I had an interesting run of events though. When I was walking back from the bus to the venue, some cop starting flipping out on me. He was calling me names, telling me this was a multi million dollar operation, and Im an idiot trying to look all official, that Ill never get away with this and blah blah blah. He basically went on for about 5 minutes before I finally said “can I go back to work now?” He almost flipped before realizing that I was working and not just some random kid. Apparently, there was some other kid that looked a lot like me that was trying to sneak in and cause trouble. He had a fake all access pass too. I stood there and took the dudes crap for 5 min straight. He apologized and we went on with life, but man, that was retarded… He said “I owe you one” and if I ever get into any trouble, that he would help me out.

But, back to the show. I love HOB:

A little off topic, but man, patching 2 splits at the snake head can really get messy:

Sat/4-05 Toronto, ON Phoenix Theatre - SOLD OUT

I hate Canada. No cell service, no internet and customs. The show itself was pretty decent, nothing really special to talk about. I had an Adamson rig in there, and it just lacked the get up and go needed to rock out. Not very thrilled at all…

Tue/4-08 Worcester, MA Palladium

I’ll tell you about this one later.

Thats all for now kids… Look for a special edition coming very soon…

Back to the world of rock and rolll…

Check check one two, hey hey.

And we’re back. I havent been able to log in, so Ive been getting behind on this.
The next update is coming in 2 parts. I have a very special update coming soon. It’s just been taking a while to type up.

Today’s section is more of a reflection session, looking back over the past few weeks of being on the road…

Life on the road is a lot different from living at home, and it’s not as exciting as everyone makes it out to be. At home you form a schedule, where you get up each morning, shower, eat breakfast, and prepare for the day ahead. You drive to work, do your job and come home at night. Sit around the house for a few hours, and then it’s off to bed.

Life on the road is nothing at all like that. Each day is completely different, and full of twists and turns. Basically, I wake up about 20 minutes before load in each day, brush my teeth and maybe find something quick to eat for breakfast. Then, Ill load into a new venue, and go to work. This is the only part of my job that is close to the same each day. We’ll setup whoever is headliner, sound check them, strike the kit, sound check direct support and then backline everyone else. Then I’ll have a few hours to maybe find some food. After the shows, we pack up and I hope that I can get a shower that night. Sometimes we’re not so lucky, and end up going 1 or 2 days without a shower. I come back to the bus wanting to relax after a show, but instead Im stuck listening to loud music and dealing with people partying. And then when bus call comes along, I finally get to relax. Ill jump into the bunk and call my loved ones back home. Then, whenever I get tired, Ill fall asleep as we drive off to another city. Rinse and repeat.

Believe it or not, it gets boring after a while. Luckily, Im with a group of awesome people and they keep it interesting. Ive also found a new love for video games. Im hooked on x-box’s Call of Duty and Golf. I wish we had a Nintendo wii though… Oh well, maybe next tour? But anyway, Im rambling…

One of the hardest things I’ve had to deal with on tour is being away from the people that I love. I miss everyone back home, and I cannot wait to see them tomorrow at 9:30 club, and Saturday in Lancaster. It’s been pretty hard not seeing my Girlfriend Roxanne, and I miss her a lot. I also miss my family, and my doggies at home. And surprisingly, I miss doing local shows at home.

But, with these losses comes a lot of new things. Everyone on this tour is slowly becoming my extended family. We all act like brothers and get along great. Im getting really close with some of the guys in ATL, as well as The Rocket Summer. We all keep each other going and make things very fun. Without the amazing group of people Im with, I dont know if I could keep going. This tour so far has been one of the greatest experiences of my life, and I cant wait to see what the future holds.

Tomorrow night, I get to sleep in my own bed for the first time in over a month. Im really looking forward to that as well.

Oh well….
Back to the world of rock and roll.

Oh yeah… Have you ever wondered what would happen to a can of beer if it got really, really hot?

Maybe it would look something like this?

That is what happens when a can of beer sits in a cooler right next to the engine compartment on the bus. Basically, after 12 hours of driving, and no ice, it got very hot in that cooler…

The past few days have been nuts. We’ve covered all of CA and have moved onto OR. It’s been a while since Ive had time to sit down and write, so this is going to be a fairly long update. Im going to work backwards as well.

Ive been battling a head cold since the start of last week, and it sucks. I wake up not being able to breathe or hear in the morning and that lasts until well past soundcheck. Luckily the past few days my ears have been opening up so I can at least hear come show time.

It’s a cold day today. Low 40’s and it’s been sleeting on and off. It sucks. The venue is cold and Im cold. I am not looking forward to the show. Its a smaller show, with a cap of only 550. The show is completely sold out, which makes it nice. We got done soundcheck a little while ago, and it sucked. No bass at all. Not going to be a good night…

Last night was another small club. The boardwalk in CA. 450 cap. The room had an old, tired PA in there and it needed help. The house dude was also a complete nutjob. He was cool, but man, he was weird. I didnt like working with him. He was a very cocky dude that made sure you knew he’d been doing sound for 26 years. Sadly, his hearing sucks after all these years, and his mixes were painful to listen to… The rig itself lacked any form of get up and go. The mains looked to be from the 70’s, and the subs were JBL MRX528’s. I was running the board into the red trying to hit 98dB @ FOH. Sadly, the crowd overpowered the band most of the night. Oh, and to top it off: 2 songs into the set Alex’s wireless mic died. I had to plow through 400 sweaty, nasty, 14 year old girls to get to the stage. Oh, and on the subject of the crowd, they can be quite rude. I was yelling at them to get out of my way and all the girls were like “no way dude.” If they didnt weigh 20lbs, it would have been a lot harder to push through all of them and get to the stage. After the rush, I swapped out his mic and the rest of the set went pretty well. That club just needs a new system. The currently one is not meant to cover 450 kids…

San Francisco, CA Regency,Grand Ballroom:
This show was awesome. For the first time ever, I had all of my favorite gear crammed into one room. Take a look:

6 L’Acoustic V dosc mains per side
4 V Dosc subs
Pair of Yamaha PM5D’s
Crown MA5000’s
and more!

The show was completely sold out, 1574 kids. But, with all this greatness comes the bad news. They had a lame policy that basically said no noise until 5pm. Normally the headliner has about an hour and a half to soundcheck, and direct support has 40min. Then, the opener gets about 30min to sound check. So, the noise policy meant we had 1 hour to do about 2 hours of checking. That time frame doesnt include the time it takes to set everything up too. The Rocket Summer needs another 30min to setup all their gear, and then we need about 15min to backline everyone. Basically, it was the most rushed setup of the tour. But, somehow we made it!

Also, The room was terrible. During sound check it sounded like we were playing in the grand canyon. Solid plaster walls all around and nothing to dampen the sound. It was terrible, and loud. If the show didnt sell it, the whole night would have sucked. But, once the room filled up, it wasnt too bad. I had a pretty rocking set.

But, I was still not on easy street. During Alex’s solo in Shameless, everything shut down! What happened? Well, the sound guy’s ipod slowly slid down the board because of the bass and during the solo, it hit a button that reset the board to zero. And I lost all of my settings. I was flipping out! But, luckily we acted fast and recalled my scene from soundcheck and I had rough settings to get me through the rest of the night. If we didnt sound check, I would have been screwed! Most of the crowd didnt notice, but man, that sucked. After that, the rest of the show went pretty well…

Crowd shot:

Los Angeles, CA Henry Fonda:
This was a cool theatre. EAW SB1000z’s, Martin W8’s and a Soundcraft series FOUR @ FOH. This show went pretty well, and was a high scale show. Lots of reps from many record companies were at this show. The pressure was on to make it sound good. During sound check, life was not well. There was no bass at all. Now, I know 8 SB1k’s can slam, so something was up. I just blew it off for the time being and kept going. I later found out that only 3 subs were working during sound check and I blew 1 of them up. Sweet… Thankfully, come show time 7 out of 8 were working and it was pretty rocking. FOH was up in the balcony, so I ended up running up and down a flight of stairs about 20 times during the show. It sounded completely different upstairs then it did down on the floor where everyone was… Oh well. The show was pretty un eventful otherwise…

Crowd shot:

Pomona, CA Glasshouse:
Another smaller club. 800 cap, sold out. This place reminded me of Recher Theatre(for you Maryland folk.) Cool little club with a RAT trap system. It sounded good, but lacked the get up and go needed. I ended up mixing around 100dB. Very smooth show. Nothing to really talk about… No pix either, sorry…

Bakersfield, CA Golden State Hall:
One of the lamest shows of the tour thus far. The “venue” was in a shopping mall in a very sketchy area. Smallest crowd of the tour, and not a fun show. To sum it up: Ohmbru mains, dead subs, Midas Venice and a boring crowd. I could have fallen asleep at FOH because of the lack of PA and excitement…

San Diego, CA Soma:
This has been the largest show of the tour thus far. The room holds 2300 people, and we sold 1874 tickets. I’d have to say that it was my favorite show of the tour too. They had plenty of PA for the room, and smart guys working too. The room was basically an old movie theatre that was completely gutted. The room was huge. The PA was all EV, and it pounded. 16 subs per side, and 9 mains per side. Soundcraft MH3 @ FOH, and all the processing you could ever want. I was running the board around 0 and it was plenty. It was just an awesome show all around.

I tried to get a crowdshot, but failed… I couldnt get everyone in the shot. This is the best I could do:

And that about sums up the past few weeks of my life. Next episode will include our fish, more shows and more excitement.

Back to the work of rock and roll…

Another day, another dollar. Over the last 3 days we drove through AZ and played 2 pretty awesome shows there.

First up was the Rialto Theatre in Tuscon, AZ. This show was not looking good from the start. 242 presales the day before the show(ouch). But, we got lucky and ended up with 629 people as a final count.

Caution: Sound nerd stuff-
The PA system for the room was a little underpowered, but sounded great. It was an older Meyer system, with a Yamaha M7CL-48 out front. I love the M7cl, so I was looking forward to mixing on it. While the tops sound good, they are not right for this room. They cover the front bit of the crowd very well, but lack the ability to throw the sound all the way to the back of the room without straining. The end result is that you end up slamming into the limiters trying to get enough SPL at FOH, and the sound just starts getting sucked down. Yeah, not fun. So, I basically tried to keep my mix right on the verge of limiting. It wasnt as loud as I would have liked(98dBA @ FOH), but it worked for the crowd. There is talk of a JBL vertec rig coming into the place pretty soon, and that should solve the throw issues they have currently.

/Sound nerd stuff

This theatre was also plagued with issues. Everything that could go wrong, did tonight. Rian, for the first time ever, went through his bassdrum head mid set. He had to swap it with The Matches drum. Alex also had a ton of cable issues with his guitar. It kept cutting out. Finally, Jack’s in ears were buzzing like crazy most of the set. It was a very, very stressful night.

Sorry, no pics of this place…

Next up in AZ was the Marquee Theatre. We got a beautiful day for this show. So, we decided to throw a pool party.

Thanks to the fans for providing Alex with a pool for the party. We also bought a grill and cooked Burgers after the show.

Anyway, onto the show: This room is huge. The house PA was another EV line array, and it sounded great. Im really starting to like these boxes after mixing on them a few times. They have a very nice sound to them. This was our first “headlining” show, where we got to play last. It was nice to have plenty of time to soundcheck and get everything working before the show. It made life very simple once show time came.

This was another sketchy show with presales. There were only 400 the day before, so we were wondering just what was going to happen. But again, the fans came through and we had almost 1200 bodies in there. It was a very successful show. Everything worked flawlessly, and was much better then the night before.

Oh yeah, here’s the completed in ear monitor rig. We’ve added a few new toys:

We’re at Jillians tonight, and hopefully all goes well… You’ll know soon…

Back to the world of rock and roll.

Wow, Im already losing track of the days… Anyway, it’s been a while since Ive gotten around to updating this. We’ve been very busy, and have covered a lot of miles over the past few days. We’ve gone through a few different time zones, and Im really screwed up right now. But anyway, thats off topic. Lets review the past few days.

First official AP Show: Warehouse live- 1500 cap, 1256 people.

This was a very rough show. Being the first day of the tour, it was complete madness on stage trying to get everything together. It was cool to meet all the other bands. Everyone for the most part is really cool on this tour. Bryce from the Rocket Summer is one of my favorite people on this tour. Anyway, today was madness with the in ear rack. Finding 5 clear frequencies was a pain. I spent a half hour getting them set up. Also, this was the first show that Jon(the fill in drummer) was playing with them. He had no practice beforehand and the only playing he had done was with the CD. Anyway, show time…

Caution: Sound nerd stuff-
This room sucked. Concrete walls all around, and KF850EF’s pointed at the floor. This basically created a death array of 5k in the room. Also add in the fact that the lows were very boomy and it mad for an interesting night. I ended up cutting 160, 250 and 4k almost all the way on the graph, just to get a manageable sound. Now, to top it off, there are a bunch of TV stations that fire up at night in this area. Some of which operate on the same freq. that our ears are on. So, come showtime and the boys are getting static like crazy. It was almost a complete disaster. The good news is that Jon managed to play a very solid set and only had a few mistakes.

Moving along…

Saturday: South by Southwest, 2 shows.

We ditched the in ear rack today. Too much going on, and not enough time to worry about it.

First show was a 400 cap room. Smallish, but it completely rocked. The crowd went insane. It brought back a lot of old memories of playing small venues. The PA was JBL SRX725’s, but have a look at this:

Not what I would call safe…

Anyway, on to the next show: Ernie Ball stage, outdoors. We played at 4pm on the first show, and then rolled all of our gear 412 feet down to the next stage. We set up, and played again at midnight. Talk about a long day. I was completely exhausted after both of the shows. This second show was 18+ and wasnt as packed. It sounded great though. EV Phoenix gear. Didnt take a ton of EQ to sound good.

Finally, last night: Dallas House of Blues- 1625, sold out!

This is my favorite room of the tour thus far. The Pa wasnt anything special, but it really rocked in this room. It was an EV line array, and EV subs. I forget the models, but they sounded really good. I did one of the best mixes of my life. Everything came together, finally. The in ear rack worked flawlessly, and everyone was very happy. Ive gotten stage volume down to nothing, so I now have full control of the sound. Ill show you my secrets soon. But, the show was really good. I had a Midas H2000 out front, and it was a pretty sweet board. A lot cooler then the verona’s Ive had for the last few shows. dB wise, the rig did run out of gas toward then end of their set. I was having issues hitting 105dBA @ FOH. Its really no big deal as it was plenty loud, but I was surprised to see that I was hitting the limiters that soon.

Anyway, Here’s some pictures of the House of Blues. I left my camera on the bus for the other 2 shows, so I dont have any pictures from those shows…

All Time Low

The Rocket Summer

View from my world

And thats it for now…
Back to the world of rock and roll

Well, the band is off doing interviews all day today, so you guys get a special treat. A tour of the tour bus.

So, have a look at our friend…

Come on in…

Here’s our front lounge. This is where we spend hours on our laptops, playing tiger woods golf and more…

Next, is our toilet… This is where we do our business:

However:

Here is the bunk area of the bus. It is currently set up to sleep 10 people, but only 8 of us sleep on it currently. It is pretty comfortable:

Finally the back lounge:

And, thats it for now. So there you have it. A nice look at our home for the next 7 weeks…

Finally, the first show of the tour. We did a spring break show in Texas, and it was pretty rocking. Nothing like a crowd of drunk people rocking out to music they’ve never heard. The crowd last night was crazy, and they really enjoyed the music. Everything went fairly well too. It was an outdoor show, and those are my favorite.

Here’s a look at the stage from my position:

But wait, this is no ordinary stage, it’s actually a barge!

We had to load in over a bridge to the barge, and then carry all the gear up a flight of stairs. It was a pretty cool setup, with the ocean as a backdrop.

The sound system was pretty old school. EAW KF550 tops, and JBL dual 18 subs. It rocked pretty hard, but needed a ton of EQ to sound good. I had to pull 3k all the way down. The limiting factor of the whole rig was the Yamaha M3000 at front of house. That console totally sucks.

But, anyway Rian got a new drum set. It sounds as good as it looks:

It is custom for the new album. I love it.

And just for all you Matt Flyzik fans, heres a view of his world:

IEM monitor console, guitar world and more. He’s got a lot to do during the shows these days.

Next show:
Ware House Live
1500 cap- SOLD OUT

Today:
OFF

Tomorrow:
OFF

Back to the world of Rock and Roll…

Ah, the bus life. The first 2 days of this tour are spent driving from Maryland, all the way to Texas. As of last night, around 1am, we were about 1450 miles from our destination. I assume we’ll be there early tomorrow. As of now, there’s not much going on. All Time Low is still at home, and its just myself and the rest of the crew right now. Its pretty relaxing really. The bus is pretty sweet too. There are 2 lounges with 56″ plasa screen TV’s. They are linked up to direct tv, wtih seemly unlimited channels. It’s a pretty nice home away from home.

More Later…

The man in brown dropped off a whole bunch of toys for me today.

Look at all those boxes, what could possibly be inside?

Ah, look at all the new toys. 5 stereo mixes on Sennheiser EWI300G2’s, 1 wireless receiver, and 2 combiners.

Oh, and a mixer too:

And… A snake!

Yup, all part of All Time Low’s new in ear monitor system. Ive got the fun and exciting task of programming everything and making it all work. I spent a good part of the day doing just that. We’re still waiting on the rack for it all to go in though. Thats fun for friday(can we cut it any closer?!)

But, the good news is, my carry rack is all done!

Everything is finally coming together… Only a few more days before we roll out!

I sit here, at 1am slowly counting down the days until things kick off with All Time Low. Ive got a long “to do” list before I head off. Some things are good to go, while other things need a lot of work. The last few pieces for my carry rack arrived yesterday. Im still waiting on my BSS DPR404 to show up though. Once thats here, Ill be ready to roll.

Next up is to build All Time Low’s IEM system. This will be their first tour with the whole band on ears, and it will be interesting to see how everything goes. They are used to a lot of crowd interaction, so Im going to have to throw up some ambiance mics so they can hear everyone still. The whole system is pretty sweet. We went with a Crest XRM mixer, Sennheiser IEM300G2 receivers, Calzone case, and custom Whirlwind snakes. Ill be putting it all together next friday and hoping everything works…

Ill post some pictures of everything as it all gets done.

More to come…

Last night was my first official show with All Time Low, at the Stone Pony in New Jersey. It was a pretty awesome show to start with, and everything went very smoothly. 900 kids packed in to a small club, screaming their hearts out.

Everything sounded great, and I was very pleased with the show. House rig totally pwn’d and I really liked the APB FOH board.

After the show I crashed in NJ with Jason D. He’s a cool dude and the house guy at Stone Pony. Cool and friendly guy.

Here’s the only in focus pic I got during the night:

And heres a video clip rocking out:

Rams Head Live on Thursday:
-1700 cap: SOLD OUT!
-Vertec VT4888/SB1000 house rig
-Midas Legend 3k out front

Evan

Everyone has dreams in their life. Well, mine are finally coming true. Starting in 2008, I will be hitting the road with All Time Low(www.myspace.com/alltimelow) as their front of house sound engineer!

I am very, very excited for the coming tours, and it should be a life changing experience. In true “roadie” style, I will be keeping a fun little tour blog to keep everyone up to date with what is going on. Pictures, audio, whatever. It should be a fun ride.